Gabriella Karefa-Johnson has confirmed her resignation from Vogue after officially joining the publication in 2013. During an episode of The Business of Fashion podcast on 24 November, the fashion editor detailed her decision to not renew her contract as Global Fashion Director at large, in tandem with her industry plans moving forward. The seasoned professional - known to be the first Black woman to style a cover shoot for American Vogue - has already imposed immutable influence, passion, and drive to effect change in fashion. Karefa-Johnson’s devotion to creating a still image that tells a larger story, for the sole benefit of impacting others, is one that often fizzles for professionals inside the competitive fashion industry. In conversation with Imran Amed, the artist explained that her ultimate intention to make room for aspiring “little Gabriella Karefa-Johnsons” in the future was reflected through an eagerness for transparency. The two spoke about “burn out” and “pressure” within the fashion industry, arguing that a career in fashion shouldn’t force people to endure so much stress. For Karefa-Johnson, working for highly-regarded publications previously brought about mental hardship for her. However, the nature of the environment wasn’t necessarily what convinced her to leave her position at Vogue. “The truth is I was a contracted employee there as the Global Fashion Director at large, and my contract was up for renewal, and I decided not to renew it,” she confessed. “That resignation was something that was right for me at the time, still is right for me.” “The truth of the matter is like anything else, you know, we grow, and sometimes our containers don’t grow with us,” she continued. “And so I’m excited to build a new container for all of these ideas and this new energy. “I loved and learned so much at Vogue magazine. It’s my home. I grew up there, and I can’t wait to take those tools and apply them in ways that are really just true to who I am and serve me and serve people who look like me and people listen and follow me. It’s really about serving that community now.” Among Karefa-Johnson’s many Vogue cover shoots, there was one cover photo that was particularly striking in her opinion, for both good and bad reasons. In 2021, the fashion editor worked on Vice President Kamala Harris’ Vogue cover - a photograph that prompted widespread controversy and scrutiny. For the magazine cover, the vice president was positioned in front of a waterfall of pink satin pouring down by her feet. Harris donned a black pantsuit and an honest smile, while she wore a pair of black and white high-top Converse - her favourite everyday shoe. According to Karefa-Johnson, the politician’s natural poise was captured in just 25 minutes because that’s all the time the vice president had for the day. In addition to time constraints, Karefa-Johnson explained that there was a communication barrier due to Covid-19 masks and Harris’ large team of staff. The fashion editor was still able to successfully snap Harris in the way she intended, but backlash quickly followed as people criticised how Harris was presented. Earlier in the interview, Karefa-Johnson called her younger self “witty, loud, and drive” - similarly to how she views herself now. Before Vogue, the fashion editor worked for Garage magazine under Vice Media, the juggernaut that recently filed for chapter 11 bankruptcy. Read More Jeff Bezos and Lauren Sanchez relentlessly mocked over their Vogue photo shoot Fans defend Dolly Parton for wearing Dallas Cowboys cheerleader outfit Birth of endangered rhino calf caught on camera at Chester Zoo

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Pamela Anderson is turning the page on her old life in a big way. Speaking to People, the 56-year-old actress revealed she has plans to sell her entire wardrobe full of fashion archives, including her most sought-after piece: her Baywatch swimsuit. Her desire to clear out her closet stems from an intent to “make room” for a “new life”. “I don’t like to waste. Better to clear my mind, clear my closet. Make room for this new life,” she explained. “I can’t wait to see others enjoy these pieces.” Anderson continued: “My style has undoubtedly changed over the years, and it thrills me to think others will find the joy I did. There’s no reason to hang on to it. These memories are made to share.” As of now, she’s not announced the date of her closet sale but has expressed a will to dispose “truly all of it” in a “thoughtful, sentimental way” online. While imagining the 90s icon breaking up with her renowned looks that irrevocably shaped beauty and style fads is difficult, this isn’t the first time Anderson has mentioned leaving her old aesthetic in the past. Recently, the Borat star has been substituting heavy eye makeup with a light underpainting to enhance her natural facial features following the death of her former makeup artist, Alexis Vogel, in 2019. But, also to rebel against the now favoured exaggerated beauty features. In conversation with Elle, Anderson noted of Vogel: “She was the best. And since then, I just felt, without Alexis, it’s just better for me not to wear makeup.” She continued: “I did notice that there were all these people doing big makeup looks, and it’s just like me to go against the grain and do the opposite.” Between bouncy blowouts, skinny brows, blue eyeshadow, and cropped clothing, Anderson was a driving factor in setting the fashion of the 90s and early 2000s. Being a model and on-screen star, her visibility was consuming, prompting her to become an icon of the time. Although her focus may have been more on her career, many were enamored by Anderson’s appearances behind the scenes, especially with her infamous beau Tommy Lee. The two were known to match their looks under the same rockstar, grunge tone. Anderson stuck to bodices and mini skirts while the famed Mötley Crüe member donned leather everything. Her love for corsets was honoured by many of Vivienne Westwood’s original designs. The designer, who recently passed away, often saw Anderson as a muse for her brand, like many other fashion enthusiasts. From sitting front row at Chanel and Balmain, to stunting on the Hugo Boss runway for their spring/summer 2023 fashion show in Miami, it’s safe to say Anderson’s face is rooted in the industry. However, the Playboy model couldn’t always credit herself for her iconic outfits, as she previously revealed a lot of her style creation was thought of by her partners. “There was a time in my life when everyone was doing everything for me - even my husbands were dressing me,” she noted in an opinion piece for The Guardian. “But for the first time in my life I don’t have an army of people making decisions for me. I can finally decide for myself.” In the same article, Anderson detailed her decision to no longer sport fur or leather as an animal rights activist and spokesperson for Peta. However, the Home Improvement actor told Elle she thought her old looks from the 90s were “wild and uninhibited”. “I don’t know if it was a defense mechanism or what. I just thought, ‘I’m going to have fun,” she proclaimed. Read More Pamela Anderson shares heartbreaking reason she’s ditching makeup Pamela Anderson and Naomi Campbell walk the Miami runway for Hugo Boss Pamela Anderson says she had ‘debilitating’ shyness before becoming a Playboy model Tabi Swiper: How a woman’s Tinder date committed a ‘sinister’ fashion crime 4 viral TikTok make-up trends you’ll actually want to try Secondhand September: The best places to buy pre-loved fashion online

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