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Mick Fleetwood has confirmed that his restaurant in Hawaii has been burnt down by the ongoing deadly wildfires in Maui. The Fleetwood Mac co-founder, 76, wrote in a post on X, the social media platform formerly known as Twitter, that Fleetwood’s on Front Street “has been lost” as the fires rip through the historic town of Lahaina on the island. At least 55 people have died in the disaster, alongside more than 1,700 buildings and billions of dollars in property that have been destroyed. More than 14,000 people have been evacuated from Maui as of Wednesday. In his post, Fleetwood wrote: “Maui and the Lahaina community have been my home for several decades. This is a devastating moment for Maui, and many are suffering unimaginable loss. “Fleetwood’s on Front Street has been lost and while we are heartbroken, our main priority is the safety of our dear staff and team members. On behalf of myself and my family, I share my heartfelt thoughts and prayers for the people of Maui. “We are committed to supporting the community and those affected by this disaster in the days and months and years to come,” he added. Fleetwood opened his fine dining restaurant in 2012, featuring live entertainment and a rooftop area for customers to enjoy. The restaurant’s official Instagram account also shared a post, which read: “We do not have enough information at this time regarding Fleetwood’s on Front Street or any of our neighbours to share. Mahalo for your continued thoughts and prayers for our ohana, community and our first responders.” The wildfires began on Tuesday and have worsened throughout the week as a faraway hurricane fanned the flames, causing them to spread quickly. Governor Josh Green of Hawaii told a news conference on Thursday (10 August): “The full extent of the destruction of Lahaina will shock you. It does appear that a bomb went off.” US president Joe Biden issued a major disaster declaration and has ordered Federal aid to help local recovery efforts in the affected areas. He added in a White House statement: “Jill and I send our deepest condolences to the families of those who lost loved ones in the wildfires in Maui, and our prayers are with those who have seen their homes, businesses and communities destroyed. “We are grateful to the brave firefighters and first responders who continue to run toward danger, putting themselves in harm’s way to save lives.” A number of celebrities have also sent the people of Maui their well-wishes and have shared ways fans can help. Jason Momoa, who is Hawaiian, shared a post on Instagram to inform fans where they can donate to help with rescue efforts. He wrote: “We are devastated and heartbroken for our friends and ohana on Maui who [have] been impacted by the recent wildfires.” Bette Midler tweeted this week: “The beautiful island of Maui, in the most beautiful state in the union, is suffering. My family and I send our deepest and most profound sympathies to everyone who has lost anything or everything in the Maui fires.” Former US president Barack Obama has also spoken out and said in an Instagram Story: “It’s tough to see some of the images coming out of Hawaii – a place that’s special to so many of us. Michelle and I are thinking of everyone who has lost a loved one, or whose life has been turned upside down.” Read More Maui fires – live: Wildfires death toll climbs to 55 with 1,000 people still missing on Hawaii island ‘Heartbroken’ Aquaman star Jason Momoa reacts to ‘apocalyptic’ Maui wildfires Woman says her life was ‘blown up’ by viral plane rant where she called passenger ‘not real’ How to save money on your summer barbecue as prices soar Madeira: an unparalleled gastro heaven Europeans slam American for saying it’s ‘weird how’ French people butter sandwiches

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As well as introducing groundbreaking garments for women, Gabrielle ‘Coco’ Chanel embodied her brand in a way no other designer had done before, a new exhibition highlights. Gabrielle Chanel. Fashion Manifesto – at London’s V&A Museum – traces the life and work of the famed French designer, who was born in the Loire Valley in 1883 and taught to sew by nuns in the orphanage to which she was sent aged 11, when her mother died. “Before her, designers weren’t really known,” says Oriole Cullen, curator of modern textiles and fashion and the V&A. “Their names were known, but they weren’t visible figures within society.” Starting out as a seamstress and cabaret singer, before establishing herself as milliner, Chanel later turned her focus to couture fashion and began designing casual clothing for women, inspired by the menswear of the era. “The Chanel brand as it stands [today] is really based on these ideas that she ushered in 100 years ago,” Cullen says, which is where the exhibition title comes from. “The meaning of that is really about a template that Gabrielle Chanel set out at the very beginning of her design career and came back to, reimagined and reinvented throughout her long career of sixty years.” Bringing together nearly 200 outfits, the show features items from the opening of her first millinery boutique in Paris in 1910, to the showing of her final collection, two weeks after she died in 1971. Signature designs on display include little black dresses, tweed suits and quilted leather handbags – the most iconic of which is the 2.55 bag. “The 2.55 has never really gone out of fashion since she designed it in 1955,” Cullen says. “That is fascinating in terms of high fashion, that an object can stay the course for such a long time and still be relevant.” Part of the upper echelons of French society, Chanel initially relied on wealthy lovers, such as French ex-cavalry officer Etienne Balsan and English polo player Arthur Edward ‘Boy’ Capel to fund her boutiques. Later becoming a celebrity in her own right, she amassed a personal fortune, thanks to the success of her fashion, accessories and cosmetics lines. “The perfume Chanel No5 was introduced in 1921, but then introducing make-up in 1924 and skincare in 1927, she was really ahead of her time,” Cullen says. “It’s something she was doing because she was designing for herself.” Chanel is credited with helping to liberate women from the constricting corsets and long skirts that were de rigeur at the turn of the century, and for popularising softer textiles, such as jersey. “She cuts her garments with high armholes, so you can lift your arms over your head,” Cullen continues. “She thinks about fabrics that are practical, and skirt lengths you can move in.” The exhibition – which was originally staged at Paris’s Palais Galliera in 2020 – highlights the brand’s UK and Ireland connections via British Chanel Limited. “This was an umbrella company set up in 1932 to work with an array of British textile manufacturers,” Cullen explains. “From lace in Nottingham, cotton velvets from Manchester, wools from Huddersfield, and also voiles and silks from Carlisle. “One of the other companies she worked with was the Old Bleach Linen Company, which is based in Randalstown in Northern Ireland.” Split into 10 sections, the exhibition concludes with a recreation of the mirrored staircase from Chanel’s Paris atelier. “Gabrielle Chanel used to sit at the top of the stairs when she was having presentations,” Cullen explains. “The models would descend and this faceted mirror would reflect back the audience’s faces to her, so she could read the mood in the room.” Gabrielle Chanel. Fashion Manifesto opens at London’s V&A Museum on September 16. Tickets available at vam.ac.uk/chanel. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live 6 times Kate has worn London Fashion Week designers Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Young people not snowflakes or wasters, says curator of rebellious fashion exhibition

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A “fired-up” Max Verstappen sent a warning to the rest of the grid that Red Bull are back on form as he set a searing pace to top the first two practice sessions at the Japanese Grand Prix. Verstappen’s record 10-race winning run and Red Bull’s unbeaten season came to a shuddering halt last weekend in Singapore, where the team admitted they did not understand their struggles with the car’s set-up around the street circuit. The 25-year-old was confident of a return to form around the high-speed corner track at Suzuka, where Lewis Hamilton predicted the Red Bull would be “phenomenal”, but all eyes were on the Dutchman who is closing in on a hat-trick of world titles. His response to the struggles of Singapore was immediate and emphatic, finishing 0.626 seconds clear of Ferrari’s Singapore-winner Carlos Sainz in P1 before beating Charles Leclerc by 0.320sec in P2. Red Bull team principal Christian Horner said: “He dealt with (Singapore) very maturely. “It was a difficult weekend but he raced very hard. It was what it was. He knew at some point we were going to get beaten and he dealt with the situation well. “He has certainly come here pretty fired up as you could see from his outlap in P1 today. “Max knew it was always going to come to an end at some point. That 10th victory meant a lot to him and certainly to the team so I’m glad Singapore wasn’t the 10th in that succession of races. I think he has just shown great leadership and great maturity.” The second session was red-flagged with a little over two minutes remaining when Pierre Gasly crashed heavily into the barriers at Degner Two, bringing a premature end to the session. McLaren had been tipped to be the closest challengers to Red Bull and Verstappen this weekend, with Mercedes’ George Russell even suggesting the British team could be favourites. Lando Norris showed strong pace to finish the day third, albeit 0.464sec off the pace, while Oscar Piastri, who signed a contract extension earlier this week, claimed eighth in the second McLaren. Red Bull will almost certainly clinch the Constructors’ Championship this weekend at the home race for their engine supplier Honda. But Sergio Perez was over a second off the pace of his team-mate, finishing 11th in P1 and ninth in P2. Fernando Alonso claimed sixth for Aston Martin ahead of the Williams of Alex Albon. Mercedes pair Russell and Hamilton struggled in the opening session, finishing a lowly 13th and 16th respectively, with chief race engineer Andrew Shovlin admitting the team had work to do on the car setup. Russell claimed fifth in P2 but Hamilton was only 14th, with the seven-time world champion a huge 1.141sec adrift off the pace. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Lance Stroll to sit out Singapore Grand Prix after huge crash in qualifying ‘You can forget about that’ – Max Verstappen rules out another win in Singapore Lance Stroll crashes into barrier at 110mph in Singapore Grand Prix qualifying

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