MCKINLEYVILLE, Calif.--(BUSINESS WIRE)--Jul 18, 2023--

Nikki's rescuers found that she had a number of medical problems, including heartworm disease

Margot Robbie gave show-stopping performances on every hot pink carpet of the Barbie press tour, but a few of her planned Mattel-inspired outfits weren’t officially unveiled due to the SAG-AFTRA strikes cutting the world-wide event schedule short. To give the missed looks the recognition they deserve, Robbie’s stylist Andrew Mukamal debuted six never seen photos in an 18 July Instagram post. The first image showed the 33-year-old Australian actress in a Versace form-fitting number – pink, of course. Robbie’s sleek hair and makeup matched the subtle shimmer of the metallic strapless dress, with a neckline that looked as if it was the waist of a pair of pants. In true Barbieform, Mukamal adorned the look with baby pink socks, a white box clutch, pink crew socks, and Versace’s heeled loafers. Robbie and Mukamal took Alicia Silverstone’s iconic Clueless yellow two-piece to a whole new level in the second slide. The Wolf of Wall Street star cut a classic Chanel figure in a tweed two-piece and tortoise-print oval sunglasses by Oliver Peoples. Robbie also donned delicate Christian Louboutin white pumps to mimic Barbie’s signature toe stance, while her fuzzy Chanel crossbody added contrast to the otherwise conservative look. Looking pretty in pink, Mukamal styled Robbie in a double-buckle crop top and matching mini-skirt by Versace. The outfit was topped off with see-through pumps by Manolo Blahnik and a Judith Leiber handbag detailed with a sparkly silver bow. The fourth slide showed Robbie from her Australia press tour look: a strawberry-printed Moschino halter dress influenced by the original Barbie. She also brought back her white Louboutin’s, but paired them with Gentle Monster sunglasses and a bouncy updo. In the fifth image, Mukamal showed off his creation from the Mexico City press tour. Robbie was placed inside a life-size Barbie toy box with a logo-printed pink Versace dress and soft satin shoulder bag to match. The sixth and final slide featured Robbie on the hood of a standout pink Lamborghini in Pierpaolo’s Valentino. Her pointed toe pumps mirrored the mini square-neck short sleeve dress by the luxury Italian fashion house. Among Robbie’s notable looks from the highly-acclaimed film premiere was her dazzling black Schiaparelli ball gown inspired by the vintage Mattel “Solo in the Spotlight” doll. The tight-fitting haute couture piece honoured a classic 1960s style fad with a flounce black hem and red rosette. For the final stop in London, Robbie wowed fans in London by wearing Vivienne Westwood. Mukamal tapped into vintage Barbie when he dressed Robbie in three layers of pearl chokers, a baby pink wrap gown with corset detailing, and a detachable white fur trim. The look was completed with a long train attached to a flower that was stitched on one side and fell to floor. The Greta Gerwig film is set to debut in theatres on 21 June in the US and UK. Read More Margot Robbie admits to ‘pressure’ concerns over Barbie role Ryan Gosling ‘keeps finding Ken dolls discarded’ by his own daughters Recreate Margot Robbie’s Barbie look with these pink heels Chanel is set to host a fashion show in Manchester TikTokers are showing off pink outfits they’re going to wear to watch Barbie movie Margot Robbie has fangirl moment over Love Island stars Ekin-Su, Davide and Liberty

Brown marmorated stink bugs first popped up in the U.S. in Pennsylvania in the late 1990s—and now, they can invade your home by the thousands.

LOUISVILLE, Ky.--(BUSINESS WIRE)--Jun 29, 2023--

Welcome to Money Diaries where we are tackling the ever-present taboo that is money. We’re asking real people how they spend their hard-earned money during a seven-day period — and we’re tracking every last dollar.

A new art exhibition that has been made to look like a beauty salon where viewers are invited to look at works while sitting on salon chairs is set to open in Edinburgh. American artist Christian Noelle Charles launches the show on Friday at Edinburgh Printmakers. What A Feeling Act 1 will run until September 17. Artworks are in place of salon mirrors, and a radio will play excerpts of conversations with the artist. Ms Charles said she wanted to create a place of “relaxation and security” and a “new way of seeing”. She said: “I grew up going to beauty salons. I have always got my hair done since I was a kid. And I wanted to create a place of relaxation, security, that sense of getting ready is like the whole social aspect of it. “Creating these types of sets and installations change the perception of how people should look at art and also just feel relaxed in the space instead of analysing it too much.” Ms Charles composed a series of screenprints that explore and convey the gestures of being judged, analysed, and satisfied within a format of salon. Some examples of these gestures are hand crossing, lowering the glasses and tapping of the fingers. Ms Charles added: “As a black American, I was raised through the sense of gathering where barbershops and beauty salons were a centre of community and neighbourhood. “I feel like it is a good hybrid place to meet different cultures. In terms of black community in the African diaspora, salons were places of gathering that would do beauty or nails and was essential in terms of understanding one another, making sure that we look our best and what our culture represents from that. “Also, the idea of the beauty salon was a younger and modern take on that sense of the salon when it comes to showcasing paintings or prints in a specific way. It’s a pun on ‘The Salon’ within a beauty salon. “Since the work that I’ve been doing has been focused on getting ready and beauty and the essence of black women and how hard they work.” Ms Charles currently lives in Glasgow after studying for a masters degree at Glasgow School of Art. She is originally from Syracuse in New York. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Bursts of activity that make you huff and puff ‘linked to reduced cancer risk’ Study uncovers what nap times reveal about young children’s brain development New outfits in Highland dress collection help museum tell the story of modern tartan

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OK, we're used to calling it Max now, but all of the prime content on

If the AMD X670E chipset has a sweet spot, MSI's X670E Tomahawk motherboard is dead

CHICAGO & PITTSBURGH--(BUSINESS WIRE)--May 16, 2023--

Salma Hayek Pinault has explained the reason why she solely wore menswear to many of her early red carpet appearances. The actor, 56, reflected on her decades-long career in Hollywood in a new interview with W Magazine. When asked whether she remembers her first-ever red carpet appearance, Hayek recalled how she wore a “man’s suit” to the occasion because it was the only fashion connection she had at the time. “I didn’t have any connections,” Hayek said, referring to the moment she walked the red carpet at the 1996 premiere of The Birdcage. “The only connection I had was to somebody I knew at Hugo Boss, so I wore a man’s suit because no one else gave me anything to wear.” For the Los Angeles movie premiere, which took place at Mann Village Theatre in Westwood, California, Hayek wore a grey, pinstriped suit jacket with matching trousers and a mock-neck black T-shirt underneath. The Mexican-American actor previously opened up about her first red carpet in a 2021 interview with Vogue India, where she explained that designers had declined to dress her at the time because she wasn’t as well-known in the industry. “I’m Mexican. I’m also very short, which doesn’t help with the weight and doesn’t help with the design," she told the fashion magazine. "But you know, I was ingenious. I took chances. I met someone at Hugo Boss, who was the only connection I had, so I wore man suits for a while.” Speaking to Vogue India, Hayek went on to recall how she wore a “very simple black dress” to MTV Music Video Awards in 1998. While she noted that all the other women were wearing “fabulous dresses” and “beautiful jewellery,” she decided to decorate her body with butterfly tattoos. “Instead of giving me a complex and saying that I don’t have the best dress or they don’t know who I am, I was like: ‘I am fabulous,’” she said. “I painted some butterfly tattoos on myself and I felt happy about myself." While Hayek has since made a name for herself in the fashion world, she hasn’t strayed far from her menswear roots. The House of Gucci star wore another menswear look for her late-night appearance on the Tonight Show with Jay Leno in 1996, where she sported a brown suit with a white button-down shirt and red geometric tie. In 2014, she was pictured wearing a navy blue Saint Laurent suit with a sharp black tie and white button-up shirt, as well as a black tuxedo dress with a matching black bow tie for the premiere of Exodus: Gods and Kings that same year. Not only is the Magic Mike’s Last Dance actor a fashion icon, but she’s also married to French businessman François Henri-Pinault: the CEO of luxury goods company Kering, which owns fashion brands including Gucci, Saint Laurent, Balenciaga, Bottega Veneta, and Alexander McQueen. The two began dating in 2006 and welcomed their now 15-year-old daughter, Valentina Paloma Pinault, the following year. In March, Hayek walked the 2023 Oscars red carpet with her daughter as her date. She even loaned the teenager a dress from her fashion archives for the event: a vintage red Isaac Mizrahi gown, which Hayek wore in 1997. Read More Menswear has made women feel confident for centuries, but will the gendered separation ever cease to exist? Linda Evangelista makes rare comment about co-parenting with son’s stepmother Salma Hayek Salma Hayek opens up about embracing her ‘whites hairs and wrinkles’ as she shares new selfie Linda Evangelista opens up about co-parenting with son’s stepmother Salma Hayek 5 viral TikTok fake tanning tips for the perfect summer glow Jennifer Lopez shares her beauty regime – here’s how to look after skin in your 50s