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Barbie’s here: 7 other fashionable films to watch
After months of hype, Barbie is now in cinemas. It’s had arguably one of the best press tours of recent years – with star Margot Robbie dressed as a string of real-life Barbie dolls – and has sparked a craze for all things pink. From the hottest pink hues to saturated shades of red, rose and magenta, the latest style trend — coined ‘Barbiecore’ — is here to stay. Barbie is the latest example of a film influencing how we dress. Whether it’s glittering costumes or Nineties minimalism, film often uses fashion to dazzle – or even give inspiration for your own wardrobe. When it comes to fashion, some films are a cut above the rest — where the style or certain characters have become iconic for a reason. Here are some of the most fashionable movies to watch… 1. Breakfast At Tiffany’s, 1961 No discussion of fashionable films would be complete without a mention of Breakfast At Tiffany’s. Hubert de Givenchy created the iconic black dress for Audrey Hepburn as Holly Golightly, which she wore with strings of pearls and chic black sunglasses. With Hepburn’s sleek bouffant and a long cigarette holder perpetually in hand, Breakfast at Tiffany’s shows that fashion doesn’t have to be OTT to make a statement. Golightly’s style has truly stood the test of time, and is still being copied today. 2. Pretty Woman, 1990 Pretty Woman stars Julia Roberts as Vivian, a prostitute who falls in love with rich entrepreneur Edward. With Edward’s money, Vivian gets a whole new wardrobe, serving some of the most memorable fashion moments in movie history. The most stand-out look is when Vivian goes to the opera, wearing an off-the-shoulder red gown which played off Roberts’s auburn hair. While this is certainly the knock-out look, the rest of the film is full of incredible outfits; whether it’s the brown polka dot dress Roberts wears to the polo, or the chic white sun dress paired with matching gloves and a black hat. 3. Pulp Fiction, 1994 There isn’t much to say about the menswear in Quentin Tarantino crime thriller Pulp Fiction. John Travolta and Samuel L Jackson stick to suits which aren’t perfectly fitted (this was the Nineties, after all), with the occasional trench coat worn on top. However, it’s the women’s clothes which really shine. Uma Thurman plays Mia Wallace, who stood out for her androgynous tailoring and an interpretation of Nineties minimalism which still resonates today. With black cigarette pants and white shirts, there wasn’t anything not to love about Thurman’s outfits. 4. Clueless, 1995 Few leading ladies have a style as covetable as Cher from Clueless, played by Alicia Silverstone. Her fashion was the epitome of Nineties cool – we bet you can already picture Cher’s yellow plaid skirt and jacket set, or the Calvin Klein slip dress. It wasn’t just Cher, but the whole cast serving up some iconic looks – whether it was Dionne’s black and white top hat or Amber in a fluffy headband. This was a preppy take on Nineties style, with plenty of over-the-knee socks and perfectly matching ensembles. The film provided a fashion education to a whole generation; when Cher is robbed at gunpoint, she argues about getting on the ground by saying: “You don’t understand, this is an Alaïa!” who she calls a “totally important designer”. The movie might have been made in 1995, but thanks to the current obsession with Nineties fashion, we’re still seeing Cher-inspired looks everywhere. 5. The Royal Tenenbaums, 2001 In terms of fashion, Gwyneth Paltrow as Margot is the real star of Wes Anderson’s The Royal Tenenbaums, with her fur coats, tennis dresses and heavy eye make-up. The film’s style is as eclectic as can be expected from Anderson – the quirky director loves to play with bright colours. Special shout-out has to go to Ben Stiller’s character and his children, who wear matching red Adidas tracksuits throughout. 6. Atonement, 2007 You might not expect a film of love and betrayal in WWII to make this list, but Atonement – an adaptation of an Ian McEwan novel – isn’t an ordinary war film. In a particularly pivotal scene, Keira Knightley wears an unforgettable green silk dress with a low back and sweeping hemline. There have been countless replicas of the dress made, some of which have sold for hefty amounts of money. Even though the green dress overshadows the rest of the film’s fashion, the other outfits are just as beautiful – as Cecilia, Knightley wears everything from a white bathing suit with matching cap to more androgynous tailoring when the film moves into wartime. 7. The Great Gatsby, 2013 It’s hard not to be blown away by the costumes in Baz Luhrmann’s adaptation of F. Scott Fitzgerald’s book. Set in the flapper era, the outfits are a feast for the eyes. According to The Hollywood Reporter, costume and production designer Catherine Martin was in charge of 1,700 vintage costumes, and she enlisted the help of Miuccia Prada to do so. With sparkles, geometric shapes, headbands and plenty of feathers, the ensembles were a modern take on Twenties dressing, adding a glamorous and almost otherworldly note to the film. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live The qualities to teach your kids that are more important than exam results 6 hacks for handling the heatwave at a festival How to make your clothes last longer, as research shows expensive doesn’t always mean durable
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What we know so far about Naomi Campbell’s Pretty Little Thing collection
Supermodel Naomi Campbell has shared a glimpse of the new collection she’s designed for Pretty Little Thing. The 53-year-old shared a black and white close-up shot of herself wearing a black leather jacket on Instagram, with “Pretty Little Thing designed by Naomi Campbell” written over it. The collection will drop on September 5 – just a few days before the start of New York Fashion Week, it might be launched with a star-studded catwalk show. Pretty Little Thing first announced the collaboration in June, and the new collection will be “paying homage to Naomi’s legacy and iconic signature style”, according to the brand. “The muse, the supermodel, the moment,” is how Campbell is described on the Pretty Little Thing website, where customers can sign up to find out when the collection drops. It also said: “A supermodel amongst supermodels, Naomi’s cultural impact within the industry is unrivalled. This is the iconic collaboration you won’t want to miss.” September is set to be a big month for Campbell, as it coincides with fashion month and the release of new Apple TV+ docuseries, The Super Models. The documentary will track the rise of models Campbell, Cindy Crawford, Linda Evangelista and Christy Turlington in the 1980s, in a four-part series released on September 20. The four fashion icons featured on the September 2023 cover of British and American Vogue. Talking about the bond they formed, Campbell told British Vogue: “There was a sisterhood there, defined by caring and loyalty: when one is down you pick the other one up.” While there is little indication of what Campbell’s Pretty Little Thing designs will look like, they could channel Nineties minimalism – an aesthetic she helped popularise. This might mean mini dresses, strappy tops and simple silhouettes – or it could channel her more recent style obsession for chic tailoring. Campbell has modelled for the likes of Prada, Yves Saint Laurent and Burberry, and recently announced the birth of her second child, a baby boy. She’s not the first celebrity to collaborate with Pretty Little Thing. Love Island star Molly-Mae Hague has designed collections for the brand – earlier this year stepping down from the role of creative director – as have musicians Teyana Taylor, Lil Kim and Doja Cat. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Taking adult education classes may lower risk of dementia, study suggests Indiyah Polack: I didn’t want to go on Love Island because of my acne Everything you need to know about the UK’s first womb transplant
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Lewis Hamilton accuses George Russell of ‘dangerous’ driving after collision
Lewis Hamilton accused George Russell of “dangerous” driving after the Mercedes team-mates collided at 200mph in qualifying for the Spanish Grand Prix. Max Verstappen will start Sunday’s race from pole position ahead of Ferrari’s Carlos Sainz with British driver Lando Norris an impressive third for McLaren. Hamilton lines up in fourth, despite a bizarre coming together with Russell, who qualified 12th, on the main straight at Barcelona’s Circuit de Catalunya. As both Mercedes men started their hot laps in the closing moments of Q2, Hamilton moved to his left and out of Russell’s tow to assume the racing line for the first right-hander corner. But the seven-time world champion was forced to take to the grass after Russell, pre-occupied with Sainz ahead of him, closed the door. Hamilton kicked up dirt from the grass, while his right front-wing endplate flew off following contact with Russell. “George just backed off,” said Hamilton over the radio. “That is really dangerous. He pulled over to the left. I might have some damage on the car.” Although Hamilton’s time was good enough to progress to Q3, and limp back to the pits for repairs, Russell was eliminated. “You didn’t tell me there was a car behind,” said Russell. “I don’t know what the hell was going on in that session. The car was bouncing. I couldn’t get my tyres working.” Both Mercedes drivers were summoned to see the stewards to explain their version of events. Russell was let off the hook with a formal warning after he was adjudged not to have checked his mirrors. Hamilton, 38, revealed he cleared the air with Russell, 25, after he moved to draw a line under their first coming together as team-mates. “It was just a misunderstanding,” said Hamilton, who qualified fifth but moved up a place after Pierre Gasly was penalised for blocking in qualifying. “I have spoken to George. I went and shook his hand and that was it.” The Mercedes drivers were closer on track than desired after Russell aborted his previous lap. “Lewis was not aware that I was starting a quick lap,” said Russell. “I was looking ahead to get the slipstream from Sainz. “It was not something that either driver necessarily did wrong, but within the team it shouldn’t happen and the communication should have been better towards us.” Hamilton and Nico Rosberg – in the paddock on Saturday as a pundit for Sky Sports – collided on the opening lap here at the peak of their acrimonious relationship in 2016. Mercedes team principal Toto Wolff threatened Hamilton and Rosberg with a ban if they collided again. And the Austrian was asked if Saturday’s qualifying collision between his current drivers evoked memories of that race in Spain seven years ago. “No, it wasn’t shades of 2016,” he said, with a wry smile. “I wish we were in the situation of 2016 where we’re so quick. “But it shouldn’t happen. Team-mates should never collide – and even with another car, you should never collide in qualifying. “Lewis saw it as his last opportunity and didn’t think that George was on that line. It looks silly, but it wasn’t, it was just a miscommunication. “This is a team effort and we need to review our communications to avoid it in the future.” With Mercedes tripping over one another, Verstappen, who finished four tenths clear of Sainz, will be favourite to convert pole into his fifth victory from seven rounds this year. Verstappen heads Sergio Perez by 39 points in the standings, but his Red Bull team-mate starts only 11th after he fell off the road. It was a qualifying session to forget for Charles Leclerc, too, as he could manage only 19th of the 20 runners. Home favourite Fernando Alonso lines up ninth on the grid. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Max Verstappen tops rain-hit final practice for Spanish Grand Prix Lewis Hamilton toils in 12th as Max Verstappen and Red Bull dominate in Spain Fernando Alonso: Hamilton can win eighth title but Verstappen can break records
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