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Ex-Williams driver Susie Wolff has urged Formula One team principals to back new initiatives designed to accelerate the debut of the championship’s next female driver – someone she predicts is a 12 to 14-year-old girl today. Wolff is now the managing director of the F1 Academy, the all-female single-seater series which debuted in April and next season will join F1 race weekends, ultimately aiming to launch drivers into higher levels of competition. It has been almost 50 years since a woman – Lella Lombardi – started an F1 Grand Prix. Wolff is adamant one will do so again, but believes the success of corresponding efforts rests in ensuring they are not seen as segregated from the sport as a whole. “That day will come. Of that I have no doubt because we’re doing too much and we’re putting (up) too many strong foundations for it not to happen,” the former Formula E Venturi Racing team principal and CEO told the PA news agency. “When I was announced in my new role in Bahrain I met all the team principals and I said ‘please don’t look at this as a woman’s initiative run by a woman. This is for the greater good of this sport. It’s for the greater good of your platform, for the business, but we have the chance to also inspire other industries by getting this right.’ “The success of F1 Academy and Discover Your Drive will come down to the collective, it will come down to the whole community of the sport getting on board and really understanding that this will be for the greater good of all of us. “But I will be hugely, hugely proud when I see a woman either on track or off track and they are in a top position because of F1 Academy. That will definitely be a moment where we can take a moment of real pride.” F1 Academy Discover Your Drive, launched this week, is a global initiative targeted at girls. Central among the programme’s ambitions is talent identification. In the UK, that means closing a considerable gap, with females accounting for just five per cent of all senior Motorsport UK race-license holders. The first phase will begin with six Motorsport UK venues, with plans to expand to 35 next year. Instructors have been trained to identify promising girls aged 8-12, who will be offered development sessions designed to facilitate a move into junior karting – potentially the first step on a road to F1 like it was for Brits Lando Norris and George Russell. Spotting talent at an early age is a critical component for Wolff, who was 12 when she started believing motorsport could be her career, and in 2014 became the first woman in 22 years to take part in an F1 race weekend when she took the wheel for a practice session at Silverstone. She said: “That’s the age that if you want to get to the pinnacle of the sport, you need to start having an idea of, ok, I need to do this more often.” Wolff eventually hopes to see some of those girls in F1 Academy, which consists of seven three-race rounds. Five are on current F1 circuits, including the season finale alongside the United States Grand Prix in Austin. The incentive for the eventual champion is tantalising, while the prospect of joining the F1 calendar in 2024 looks to benefit the entire grid. “Our winner is guaranteed to move on,” Wolff vowed. “We will put the budget together for her to progress. I’m not committed to which series because I want it to be the best progression for the driver. “But I think moving onto the global stage brings much more possibilities for the drivers to get backing and make sure they’re finding people that will help them further in their career. “Because in the end not everyone is going to make it to Formula 1, but if they can go on to be successful in a different category or area, then I think that is still something that can still be seen as a success for the Academy.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Max Verstappen tops rain-hit final practice for Spanish Grand Prix Lewis Hamilton toils in 12th as Max Verstappen and Red Bull dominate in Spain Fernando Alonso: Hamilton can win eighth title but Verstappen can break records

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Most people do not apply enough sunscreen or wear adequate clothing when out in the sun for too long, according to a new study that warned that the product may be giving them “a false sense of security”. The research, published recently in the journal Cancers, sheds more light on the observation that melanoma and skin cancer rates are rising globally despite a rise in sunscreen usage – an oddity termed the “sunscreen paradox”. “The problem is that people use sunscreen as a ‘permission slip’ to tan. People think they are protected from skin cancer because they are using a product marketed to prevent a condition,” study co-author Ivan Litvinov from McGill University in Canada said. In the research, scientists found that Canadians living in provinces with incidence rates for melanoma – one of the most aggressive forms of skin cancer – were more likely to report using sun protection, more aware of the health risks of sun exposure, and more apt to follow the UV index. Overall, scientists assessed data from 22 focus groups encompassing 95 Atlantic Canada residents. The analysis found that despite reporting more awareness and intent for protection from the sun, people in these provinces received more sun exposure due to warmer temperatures and a tendency to engage in outdoor activities. In another assessment of people in the UK, they found contradicting evidence that sunscreen use was surprisingly linked to an over two-fold risk of developing skin cancer. “These combined findings suggest a sunscreen paradox, whereby individuals with higher levels of sun exposure also tend to use more but not an adequate quantity of sunscreen or other sun-protection measures, providing a false sense of security,” Dr Litvinov explained. Scientists call for new interventions, considering this sunscreen paradox, to address knowledge gaps in sun protection and skin cancer prevention. “Sunscreen is important, but it is also the least effective way to protect your skin when compared to sun protective clothing, rash guards, and sun avoidance. People can and should enjoy the outdoors, but without getting a sunburn or a suntan,” Dr Litvinov added. Read More If being without your phone fills you with dread, you could have nomophobia When do the clocks go back in the UK this year? Nursery places and wraparound childcare plans announced

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The swan dress worn by Icelandic singer Bjork to the 2001 Oscars will be part of a new exhibition celebrating rebellious fashion. The outfit – by Macedonian designer Marjan Pejoski – was controversial at the time, as it was a huge departure from the black tie gowns normally seen on the red carpet. It’s gone on to take a prominent place in fashion and pop culture history, and this will be the first time it’s been seen in the UK, since it was created over 20 years ago. The swan dress will join ensembles worn by Harry Styles, Rihanna and Sam Smith at a new exhibition at the Design Museum called Rebel: 30 Years of London Fashion. The exhibition will feature nearly 100 looks from designers who have taken part in the NewGen initiative – a scheme run by the British Fashion Council (BFC) that supports emerging fashion talent. It will include trousers made from deadstock materials designed by Steven Stokey Daley and worn by Harry Styles for his 2020 music video Golden, as well as a replica of the inflatable latex jumpsuit worn by Sam Smith at the 2023 Brit Awards, designed by Harri. Other looks include the voluminous blue ruffled dress by Molly Goddard – worn by Rihanna in 2017 in an Instagram post which garnered 1.7 million likes – and a Nasir Mazhar headpiece modelled by Lady Gaga. Covering the last 30 years of fashion, the exhibition isn’t organised chronologically – instead, each room will cover themes, including colour (featuring work from Ashish, Richard Quinn and Mary Katrantzou), art school (Molly Goddard and S. S. Daley) and the club scene (with pieces from Halpern and Gareth Pugh). One room will be entirely dedicated to trailblazing designer Alexander McQueen, who was one of the first recipients of NewGen support. “It is impossible to underestimate the influence London has on Britain’s fashion talent, a city that produces wave after wave of young designers that value originality, wearing what you believe in, and tackling social issues to make a better world,” said Sarah Mower, BFC ambassador for emerging talent and guest curator of Rebel. The exhibition shows pieces from when each designer was taking part in the NewGen scheme – and some of them are now household names, such as Erdem and Northern Irish designer JW Anderson. “Only showing looks and accessories and supporting materials that were produced while the designer was receiving NewGen support has meant that we have the most extraordinary insight into early careers of designers that are incredibly familiar today,” said Rebecca Lewin, Design Museum curator. The exhibition will open in September, to coincide with the new season of London Fashion Week and to celebrate 30 years of the NewGen programme, which has supported more than 300 designers over the years. Rebel: 30 Years of London Fashion sponsored by Alexander McQueen will open at the Design Museum in London on September 16 and will run until February 11, 2024. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Chrissy Teigen welcomes fourth child – how does surrogacy actually work? 11 ways to work the colour clash trend at home Heart disease digital check-ups for over 40s being rolled out

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