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Halloween is a time for getting creative with make-up, but that means your skin can take a real battering. “Halloween make-up can irritate the skin as it often contains more artificial chemicals or heavy metals for glitter than usual make-up products do,” explains Dr Kajal Babamiri, a GP with a specialist interest in skin and wellness at CLNQ. “Since the make-up is often applied more heavily, this can also clog pores, causing more breakouts or irritation.” So how can you get the perfect spooky look – without the horrors of bad skin the next day? Check the ingredients What you put on your skin is important. “We recommend checking the products and looking for fragrance-free or alcohol-free products. You should avoid heavy metals such as lead or cobalt, and also artificial dye,” suggests Babamiri. Wear a primer A primer is a base layer that holds your make-up in place – but it could also have other uses. “One of the most important considerations is to apply a protective base or make-up primer. This adds an additional layer of protection for the skin,” says Babamiri. Many primers, such as the Bobbi Brown Vitamin Enriched Face Base, £52 (50ml), report skincare benefits beneath your make-up. Use skincare beauty hybrids Many brands now combine skincare and make-up. Brands like Jones Road, TULA and Glow Hub have been releasing a wide range of skincare-infused make-up products. Beauty expert and Glow Hub founder Tiffany Salmon says: “By using skincare-infused make-up, you can combat some of the potential damage by nourishing your skin with moisturising ingredients such as hyaluronic acid and glycerin, creating a protective barrier between your skin and make-up.” Hydrate at every step Thick make-up for some can be super drying, particularly in spots like your under eyes. “Locking in moisture is key. Hyaluronic acid will be your skin’s best friend to help keep dryness at bay. You can use a moisturiser with hyaluronic acid already in it or combine it with your moisturisers and gently apply it before your make-up,” says Caroline Barnes, pro-make-up artist and Cetaphil partner. But be sure to “allow your lotions and creams to settle into your skin for about 10 minutes before you start applying your foundation,” to stop your make-up ‘pilling’. Give it a mean clean To keep your skin healthy, you need to remove all of your make-up at the end of the day. “Always opt for a double cleanse when removing lots of heavy make-up,” advises Barnes. “First step, use an oil-based cleanser to loosen and emulsify make-up. Remove pigments with a flannel and warm water. Next step, use a cleanser that suits your skin type to clean your skin. Using two formulas will ensure your skin is left beautifully clean and problem-free.” Read More 5 of the hottest new perfume launches for autumn/winter Consistent lack of sleep may increase risk of future depressive symptoms – study World Osteoporosis Day: The risk factors and early warning signs everyone needs to know about How to support a child with a stammer From colourful gowns to drones, these wedding trends are set take over 2024 Call The Midwife ‘should come with a health warning’

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A new art exhibition that has been made to look like a beauty salon where viewers are invited to look at works while sitting on salon chairs is set to open in Edinburgh. American artist Christian Noelle Charles launches the show on Friday at Edinburgh Printmakers. What A Feeling Act 1 will run until September 17. Artworks are in place of salon mirrors, and a radio will play excerpts of conversations with the artist. Ms Charles said she wanted to create a place of “relaxation and security” and a “new way of seeing”. She said: “I grew up going to beauty salons. I have always got my hair done since I was a kid. And I wanted to create a place of relaxation, security, that sense of getting ready is like the whole social aspect of it. “Creating these types of sets and installations change the perception of how people should look at art and also just feel relaxed in the space instead of analysing it too much.” Ms Charles composed a series of screenprints that explore and convey the gestures of being judged, analysed, and satisfied within a format of salon. Some examples of these gestures are hand crossing, lowering the glasses and tapping of the fingers. Ms Charles added: “As a black American, I was raised through the sense of gathering where barbershops and beauty salons were a centre of community and neighbourhood. “I feel like it is a good hybrid place to meet different cultures. In terms of black community in the African diaspora, salons were places of gathering that would do beauty or nails and was essential in terms of understanding one another, making sure that we look our best and what our culture represents from that. “Also, the idea of the beauty salon was a younger and modern take on that sense of the salon when it comes to showcasing paintings or prints in a specific way. It’s a pun on ‘The Salon’ within a beauty salon. “Since the work that I’ve been doing has been focused on getting ready and beauty and the essence of black women and how hard they work.” Ms Charles currently lives in Glasgow after studying for a masters degree at Glasgow School of Art. She is originally from Syracuse in New York. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Bursts of activity that make you huff and puff ‘linked to reduced cancer risk’ Study uncovers what nap times reveal about young children’s brain development New outfits in Highland dress collection help museum tell the story of modern tartan

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