List of All Articles with Tag 'au'

A 32-year-old woman dies and another 12 in hospital after eating sardines in a Bordeaux restaurant.

Six months on from the spine-tingling moment Ivan Frolov took to the London Fashion Week runway alongside two other Ukrainian designers, clutching their home country’s flag, the mastermind behind some of the most iconic celebrity looks is preparing for his first solo show at the celebration. But it’s been a long time coming. Despite his brand, FROLOV, being founded in 2015, the mastermind designer-turned-creative director has been cooking up his plan to take over the fashion world since he was young. “I drew my first sketch when I was three or four years old, my mother told me that”, the now-29-year-old tells us. “I was always sure that I had something to tell the world, because for me, fashion is not only about the clothes, it’s one of the quickest ways to communicate with people and talk about important topics.” “For example, my first collection that brought me success was dedicated to transgender people.” One key theme with FROLOV’s collection is that there’s always a cause behind it. Whether that’s a peek inside the world of BDSM, or promoting LGBT+ rights through hand-crafted clothing and intricate designs that allow the wearer to express themselves. “When I started my brand we did our first show in Kyiv and I named it ‘Intelligent Provocation’. So for me, it’s always very important to make something provocative to catch attention, but find the balance between being sexy and smart, not vulgar”, he says. It’s a recipe that’s working well. Dua Lipa, Megan Thee Stallion, Doja Cat, Sydney Sweeney, and Rita Ora make up just some of his well-loved celebrity clients. Most recently, FROLOV has been propelled to new heights after helping put together the glitzy looks of Beyoncé’s Renaissance tour, including the glimmering pink bodysuit worn at her $20 million performance in Dubai. The designer admits: “The moment my biggest dream came true was the Beyoncé performance in Dubai, when she wore our custom look…that was so unexpected for us.” “I was super happy that her stylists want us to use our signature style and opportunities to be free in sketches and ideas. It’s always the best way when designers are free and not under any control, so we showed off all of our signature corset styles and embroidery.” However, things quickly turn emotional as Frolov reflects on how his world was turned upside down by the invasion in Ukraine - but how he hopes the publicity can become a positive thing for his native country. “That was my dream…but my real dream right now, because we only have one dream as Ukrainians, is victory. Life is a very unpredictable thing”, he says. “Of course, Beyoncé brought a lot of attention to the brand, which is very important because with such attention, we can spread information about the war and that it’s not over and we’re still fighting.” “Beyoncé wearing a Ukrainian designer gives us the opportunity to believe in victory and show people that something good is happening in Ukraine, and that they can believe in a bright future.” But despite troubling times in Ukraine, business for FROLOV continues as usual. The team of designers and manufacturers are still based entirely out of Kyiv, working away in the studio as the war rages on outside. Despite the dramatic, no-expense-spared nature of Beyoncé’s UAE appearance, her costume was one of those made as people feared for their safety in the process. During this time, the brand has also set up a side project, known as FROLOV Heart - a collection of items emblazoned with their signature heart motif, with proceeds helping those affected by the conflict. The designer adds: “We’re working under sirens, sometimes without electricity during winter.” “Right now we have a lot of things that make us cry every day, every day we have bad news from the frontline, so it lets us just smile for a short time.” “It's very difficult to explain what we are feeling, working in Ukraine and supporting our team, and I don’t even want you ever to know what we are feeling right now, and to totally understand us, it’s difficult. But it’s normal for us right now.” Drawing inspiration from the last two years, FROLOV’s first London Fashion Week presentation will be dedicated to Ukraine’s impact on the world, outside of fighting for survival. The show, taking place on Thursday (14 September), will be set in a cinema, and a multitude of experiences for the high-profile guests in attendance, who will get a chance to learn more about the country. “It’s a very beautiful concept because our show will connect with Ukrainian culture and Ukrainian music…our guests will not only see the collection but there will be lots of touching content about Ukraine”, Frolov tells us. “Ukrainian soldiers protect the whole world from the biggest terrorists of the 21st century, so of course, it will be a very nice catwalk for the new collection, but it’s also dedicated to that. We named it ‘Masada’...it’s a Ukrainian word that means young. It’s a message about Ukraine that we are a young and beautiful country.” He hints: “We invited very important people for Ukraine right now, I don’t want to tell all the secrets but we’ll have a very important person closing the show.” It’s set not only to be a huge milestone for the brand but a symbol of hope for Ukrainians present and future. “Even in this terrible situation, we continue to work, we continue to do what we do best. That's why in our brand, we combine what we’re doing with charity to support Ukraine”, he says, before concluding: “I have a very strong feeling that Ukraine has a future. Ukraine is not about today. We feel such amazing support from all over the world and I think it gives us more power to continue the fight. We believe in our victory.” Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

A new documentary out Friday, “Invisible Beauty,” offers a unique take on the fashion industry through the life and work of trailblazer Bethann Hardison

A major new exhibition is opening at London’s V&A Museum to honor and celebrate the life and iconic designs, as well as many more lesser-known creations by famed French designer Gabrielle “Coco” Chanel

As the Week unfolds, fashion enthusiasts around the world eagerly anticipate the stunning collections, memorable moments, and trendsetting styles

Ariana Grande has candidly opened up about how she used to 'hide' herself with cosmetic procedures, before falling in love with her lines and previous insecurities. “Full transparency, as a beauty person, as I do my lips, [I’ve] had a ton of lip filler over the years and Botox. I stopped in 2018 because I just felt so… [it was] too much. I just felt like hiding, you know,” she said in the video, welling up. “For a long time, beauty was about hiding for me, and now I feel like maybe it’s not since I stopped." Sign up to our free Indy100 weekly newsletter

James Bond star Naomie Harris was thinking about launching her own sustainable fashion brand but ditched the idea when she was offered the chance to team up with OMNES

Pop star Rita Ora spent almost two years working on her collection for budget store Primark and says the collaboration is close to her heart because she replied on the retailer for affordable fashion when she was younger

As well as introducing groundbreaking garments for women, Gabrielle ‘Coco’ Chanel embodied her brand in a way no other designer had done before, a new exhibition highlights. Gabrielle Chanel. Fashion Manifesto – at London’s V&A Museum – traces the life and work of the famed French designer, who was born in the Loire Valley in 1883 and taught to sew by nuns in the orphanage to which she was sent aged 11, when her mother died. “Before her, designers weren’t really known,” says Oriole Cullen, curator of modern textiles and fashion and the V&A. “Their names were known, but they weren’t visible figures within society.” Starting out as a seamstress and cabaret singer, before establishing herself as milliner, Chanel later turned her focus to couture fashion and began designing casual clothing for women, inspired by the menswear of the era. “The Chanel brand as it stands [today] is really based on these ideas that she ushered in 100 years ago,” Cullen says, which is where the exhibition title comes from. “The meaning of that is really about a template that Gabrielle Chanel set out at the very beginning of her design career and came back to, reimagined and reinvented throughout her long career of sixty years.” Bringing together nearly 200 outfits, the show features items from the opening of her first millinery boutique in Paris in 1910, to the showing of her final collection, two weeks after she died in 1971. Signature designs on display include little black dresses, tweed suits and quilted leather handbags – the most iconic of which is the 2.55 bag. “The 2.55 has never really gone out of fashion since she designed it in 1955,” Cullen says. “That is fascinating in terms of high fashion, that an object can stay the course for such a long time and still be relevant.” Part of the upper echelons of French society, Chanel initially relied on wealthy lovers, such as French ex-cavalry officer Etienne Balsan and English polo player Arthur Edward ‘Boy’ Capel to fund her boutiques. Later becoming a celebrity in her own right, she amassed a personal fortune, thanks to the success of her fashion, accessories and cosmetics lines. “The perfume Chanel No5 was introduced in 1921, but then introducing make-up in 1924 and skincare in 1927, she was really ahead of her time,” Cullen says. “It’s something she was doing because she was designing for herself.” Chanel is credited with helping to liberate women from the constricting corsets and long skirts that were de rigeur at the turn of the century, and for popularising softer textiles, such as jersey. “She cuts her garments with high armholes, so you can lift your arms over your head,” Cullen continues. “She thinks about fabrics that are practical, and skirt lengths you can move in.” The exhibition – which was originally staged at Paris’s Palais Galliera in 2020 – highlights the brand’s UK and Ireland connections via British Chanel Limited. “This was an umbrella company set up in 1932 to work with an array of British textile manufacturers,” Cullen explains. “From lace in Nottingham, cotton velvets from Manchester, wools from Huddersfield, and also voiles and silks from Carlisle. “One of the other companies she worked with was the Old Bleach Linen Company, which is based in Randalstown in Northern Ireland.” Split into 10 sections, the exhibition concludes with a recreation of the mirrored staircase from Chanel’s Paris atelier. “Gabrielle Chanel used to sit at the top of the stairs when she was having presentations,” Cullen explains. “The models would descend and this faceted mirror would reflect back the audience’s faces to her, so she could read the mood in the room.” Gabrielle Chanel. Fashion Manifesto opens at London’s V&A Museum on September 16. Tickets available at vam.ac.uk/chanel. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live 6 times Kate has worn London Fashion Week designers Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Young people not snowflakes or wasters, says curator of rebellious fashion exhibition

It’s been dubbed Britain’s answer to New York’s Met Gala: London’s first ever Vogue World, happening this Thursday, will be a star-studded theatrical extravaganza, fundraising for Britain’s cash-strapped performing arts scene. And at the helm, of course, is Vogue’s all-powerful Editor-in-Chief Anna Wintour. Billed as a “multi-act celebration of the British performing arts”, the event will be fabulously starry. On the line-up will be British celebrity royalty, including supermodels Kate Moss, Cara Delevingne and Adwoa Aboah, British rapper Stormzy, former Spice Girl Victoria Beckham as well as actors Ian McKellen and Idris Elba. In 2022, the first ever Vogue World took over New York’s meatpacking district with a rough-and-ready fashion show and street food fair, paying homage to the city’s street atmosphere and culture. It was quite the eclectic affair. “Old Town Road” singer Lil Nas X performed with the Hadid sisters as backup, 112 models stormed the runway to Madonna’s “Vogue” while Serena Williams made a surprise cameo. And it was all wrapped up with a street food party featuring pop-up stalls run by couture houses (think pastrami sandwiches courtesy of Michael Kors, gourmet cookies by Gucci and high tea by Burberry). Vogue World’s pilgrimage to UK soil feels like an inevitable one, given that British and US Vogues are at the heart of Conde Nast’s operation. But behind Vogue World is an epic power struggle between the two editors, Wintour and British Vogue’s outgoing editor-in-chief, Edward Enninful, as she moves closer into his territory and is even rumoured to be looking to relocate back to London. On the surface, the fundraising goal is the same as the Met Gala – a philanthropic arts cause the fashion crowd can get behind while at the same time beaming the Vogue brand around the world. Thursday’s extravaganza will be held at the Theatre Royal Drury Lane in London’s West End to raise money for Britain’s critically underfunded performing arts scene, which Anna Wintour insists is “under threat”. All net proceeds from ticket sales will be pledged to a range of performing arts organisations – but so far, they all seem to be based in London – including the National Theatre, Royal Opera House and the Royal Ballet. “The arts are under threat in the UK,” said Wintour of the fundraising decision. “Vogue World will be a timely reminder of how important they are, how vital a part of our lives, and how much they need our support.” A three-tiered party The main attraction of the night, like the Met Gala, will be the red carpet running outside of the theatre, where celebrities will fight it out to be the best dressed in the latest Spring Summer 2024 couture. But that won’t be all the event has to offer: those who were lucky enough to scoop up the exclusive and now sold out £150 tickets will watch live performances overseen by The Crown director Stephen Daldry, followed by a catwalk show featuring collections from British fashion labels like 16Arlington, Burberry and Vivienne Westwood to kick off London Fashion Week, which starts this Friday. Although the details of the event are being kept under the closest secrecy, we can hope for a number of spectacular surprises – perhaps cameos from British acting greats on stage at the Theatre Royal, or live performances from stars confirmed to be attending, like Stormzy or opera singer Hongni Wu? The theme The Met Gala is famed for its iconic yet often polarising themes, some of which have been cemented into fashion history. There was 2019’s Camp: Notes on Fashion, which saw Lady Gaga go through four theatrical outfit changes, or last year’s ode to the late controversial Chanel designer Karl Lagerfeld, with both Doja Cat and Jared Leto styling themselves as Lagerfeld’s beloved white cat, Choupette. While the Met Gala was launched as a fundraising evening for New York’s Metropolitan Museum of Art’s Costume Institute in 1948, the event has grown to be the most exclusive event of the year, with an all-important red carpet arrival followed by a glamorous charity dinner and afterparty. The theme for Vogue World 2023 is in keeping with its cause. The invitation for the event says the dress code is “Opening Night”, with the invitation’s design depicting a West End stage covered by blood-red velvet curtains. Meanwhile, the original poster for Vogue World’s London edition sees British supermodel Naomi Campbell standing in a dance studio, dressed in all-black, while a group of leotard-clad ballet dancers straddle a wooden barre behind her – another nod to Britain’s performing arts scene. Though Vogue World tickets do not come with a price tag as hefty as the Met Gala’s eye-watering $50,000, we hope celebrities tackle the Vogue World theme with the same commitment. Expect lots of West End theatrics, glamorous gowns, theatre binoculars and endless references to London’s world-leading theatre culture. The guest list The guest list is expected to be packed out with A-listers (the theatre’s auditorium seats more than 2000 people). Representing British supermodels will be Kate Moss, Cara Delevingne and Adwoa Aboah. It’s likely that Enninful’s very close friend and confidante Naomi Campbell will be playing a leading role, given that she appeared in the original marketing campaign for the event. British rapper Stormzy, former Spice Girl Victoria Beckham as well as actors Ian McKellen and Idris Elba will all be involved in the theatrics in some capacity, as we know. Bridgerton’s Simone Ashley, Sienna Miller, Emilia Clarke and Kate Winslet will also be dropping in, while musician FKA Twigs is also expected to participate in some capacity since she was also included in Vogue’s announcement. But all eyes will be on “Vossi Bop” rapper Stormzy and who might turn up on his arm; it’s rumoured that he has rekindled his romance with Love Island presenter Maya Jama after fans spotted that the pair were holidaying in the same villa. We have word from Maya’s publicist that she is filming abroad, but seeing as the presenter starred on the August cover of British Vogue, will she fly back in time for the big event? The politics Vogue World comes at a time when Vogue’s senior editorial team is under scrutiny like never before The event has been billed on its invite as a collaboration between Edward Enninful and Anna Wintour, but it is very much seen as Wintour’s creation. Many will be watching closely, given rumours of a “feud” between the two editors ahead of Enninful’s departure. The rumour mill began the whir when the company announced in June that Enninful, who became the first Black gay man to take the role of editor-in-chief in 2017, would step back from Editor-in-Chief at British Vogue in January to become a “global creative and cultural advisor”. Alexandra Shulman, who was succeeded by Enninful when she stepped down as editor in 2017, has since said that Enninful was “always playing second fiddle to Anna Wintour” within the company, amid rumours that Enninful had harboured ambitions to become editor of US Vogue, which led to a rumoured rift between him and Wintour That Wintour is on Enninful’s London turf is being seen very much as her taking back “control”.She is said to be sizing up who will be Enninful’s replacement as British Vogue’s notably less fancy sounding “head of editorial content”, as the company’s senior editorial team prepares for an internal shakeup. At the front of the race is Chioma Nnadi, editor of vogue.com, and a global network lead at the company – a London girl who could be coming back to UK soil to take up the role when Enninful leaves. “Chioma is a great choice,” one insider told The Times. “She is serious and clever and knows her stuff. She doesn’t suffer fools.” Another Conde Nast insider told the newspaper: “Chioma isn’t the terrifying fashion editor of old. She’s quite shy one-on-one, and very calm. She’s one of those people that pauses before she answers a question.” One source credited Chioma for being down to earth. Another said: “She Brooklyn, not Manhattan”, while another said the journalist is the “nicest person” they had ever dealt with at Vogue. An announcement is expected this week with whispers that the news could break at Vogue World on Thursday. However, also in the running alongside Nnadi is Sarah Harris, the European deputy editor and another global network lead, who has worked on the fashion desk for almost two decades and has become an influencer of sorts, having been credited for making silvery-grey hair cool with her unmistakable locks. Others in the running could be Mark Holgate, another Brit in New York, who heads up fashion news on the US edition, or Emily Sheffield, the former editor of The Evening Standard and Vogue deputy from 2005 to 2017, who is also the sister of David Cameron’s wife Samantha. However, it seems a decision has not yet been made – the vacancy for Head of Editorial Content on the Conde Nast careers portal still says applications are open. Vogue fans will be watching what happens next in the chapter of fashion’s most iconic title and who will win the battle for its soul. Thursday’s gala could be a chance for Vogue to retain its relevancy in the world of live-streamed red-carpet events (Vogue’s Met Gala live stream generated 53 million viewers alone last year). And while Wintour is certainly the face of the Met Gala as its host, it is not Vogue’s creation, nor is it Conde Nast’s. Could Thursday night be an opportunity for Conde Nast to call a red-carpet event its own? Whatever the goal, this week’s Vogue World is clear evidence of the brand’s desire to evolve and maybe Anna Wintour’s desire to take back control. Read More Ex-Vogue editor claims Edward Enninful was ‘always playing second fiddle’ to Anna Wintour Edward Enninful steps down as British Vogue editor-in-chief to take on new Condé Nast role amid reports of rift Kate Winslet rails against male executives who ‘patronised’ her while she was raising money for new war drama Vogue story on Kylie Jenner and Timothée Chalamet’s sparks backlash Saweetie’s ‘caveman’ inspired VMAs dress sparks comparisons to The Flintstones Selena Gomez returns to the VMAs red carpet in stunning red dress

Multiple music icons fail to sport glamour at MTV VMAs 2023

Qantas Airways Ltd. illegally sacked almost 1,700 ground workers during the pandemic, Australia’s top court ruled, delivering a