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This week, a Truman Capote story from early in his career will be published for the first time

Max Verstappen appears set to return to form at the Japanese Grand Prix after posting a blistering time in the opening practice session. Verstappen’s record 10-race winning run and Red Bull’s unbeaten season came to a shuddering halt last weekend in Singapore, where the team admitted they did not understand their struggles with the car’s set-up around the street circuit. Lewis Hamilton warned on Thursday the Red Bull car would be “phenomenal” around the high-speed corner circuit at Suzuka and, while practice times must always be treated with caution, it appears the runaway championship leader could dominate again this weekend. Verstappen, who is closing in on a hat-trick of world titles, was the first car out on track and it took the Dutchman just a handful of laps to set the fastest time in every sector. He finished the opening running 0.626 seconds clear of Ferrari’s Carlos Sainz, who clinched victory in Singapore. McLaren had been tipped to be the closest challengers to Red Bull this weekend with George Russell even suggesting they could be favourites. Lando Norris delivered an impressive final lap to clinch third for the British team, ahead of the second Ferrari of Charles Leclerc and home favourite Yuki Tsunoda in the AlphaTauri. Oscar Piastri, who extended his McLaren contract this week, claimed seventh just behind the Aston Martin of Fernando Alonso. Red Bull will almost certainly clinch the Constructors’ Championship this weekend at the home race for their engine supplier Honda. But Verstappen’s team-mate Sergio Perez finished only 11th and a massive 1.396sec adrift of the pace-setter. Mercedes pair George Russell and Lewis Hamilton struggled badly to repeat the impressive pace they showed last weekend, finishing a lowly 13th and 16th respectively. The second practice session gets under way at 1500 local time (0700 BST). Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Lance Stroll to sit out Singapore Grand Prix after huge crash in qualifying ‘You can forget about that’ – Max Verstappen rules out another win in Singapore Lance Stroll crashes into barrier at 110mph in Singapore Grand Prix qualifying

Working in industrial laundries at age 14, laboring up to 35 hours a week on top of school -- some US states are relaxing the barriers to employing...

For years, the Harvard College China Forum brought business moguls en masse to the university’s oak-paneled rooms, including

Actor Sophie Turner has sued her estranged pop star husband Joe Jonas to force him to turn over the passports of the couple’s two young daughters so she can take them to England

The soft drink company teased consumers with a giant contest offer. But could they really pay it out?

Former President Donald Trump faced blowback this week from his Republican presidential rivals over his recent comments to NBC News on abortion, in which he called Florida's six-week abortion ban a "terrible mistake" and said that he'd be willing to work with both parties on the issue.

The US Senate confirmed two generals as the new heads of the Army and Marine Corps on Thursday, filling senior military posts left open due to a lawmaker's...

Celebrating ’40 years of love’, Moschino handed over the reins to four friends of the house for its spring/summer show at Milan Fashion Week. Fashion stylists Carlyne Cerf de Dudzeele, Katie Grand, Gabriella Karefa-Johnson and Lucia Liu were invited to create 10 looks inspired by the works of founder Franco Moschino, who died in 1994. To mark the brand’s 40th anniversary, the collection was unveiled at a spectacular runway show split into four acts. Under the stewardship of creative director Jeremy Scott, Moschino has become known for bright, brash and whimsical designs. Carlyne Cerf de Dudzeele, 73, offered a more restrained take on the usual house codes, with the French stylist opening the show with a model clad in a white double-breasted two piece suit and black rollneck top. Injecting the sleek look with some Moschino glamour, she styled the suit with statement crystal jewellery and a head wrap dotted with chunky diamantes. What followed was the most wearable of the four ranges, featuring wide-leg blue jeans and chinos, navy blazers and knitwear, and a chic beige biker jacket. These were elevated staples, however, and they came with kooky accessories, such as heart-shaped handbags and a tiny micro bag worn as a necklace. Gabriella Karefa-Johnson pulled no punches with her first look, a gold chain skirt and cropped black leather biker jacket worn over a stripey black and white bikini and topped with a cowboy hat. Her 10 looks were a sensationally summery ode to the 1970s and 80s worn by a diverse cast of models who frolicked joyfully down the runway. Skirts ranged from mini (a colourful crochet number) to maxi (several high-waisted styles with ruffled ra-ra hems), teamed with corset tops and boxy blazers. A yellow and green tie-dyed denim skirt and top will no doubt appeal to Gen Z Moschino fans. Chinese stylist Lucia Liu was inspired by the Moschino founder’s painting and her range was all about ruffles. Opening with a pink tiered maxi skirt and a T-shirt printed with the slogan ‘Protect me from the fashion system’, the 10 looks featured lots of floaty chiffon, floral embroidery and cute little bow embellishments. Alongside puff-sleeved jackets, lace tights and diaphanous cargo trousers, Liu rounded off her range with a truly showstopping look. Worn by a Canadian model, the voluminous pink skirt was covered in giant bows and rosettes, teamed with a matching feather-trimmed jacket and vest top with an Italian slogan. The final act, from British stylist Katie Grand, was titled Gone With The Wind and promised ‘frequent nod(s) to irony’. It certainly delivered, with the first model striding out in a T-shirt emblazoned with the slogan ‘Loud luxury’, which he stripped off to reveal a tiny crop top and trunks printed with suggestive brushstrokes. A joyous rejection of the understated ‘quiet luxury’ trend that’s taken the fashion world by storm this year, Grand’s black and white range was more about making a statement than it was about selling clothes. Models in catsuits and tutus cavorted on the catwalk, engaging in something that looked like combative dance and generally having a whale of a time. They managed to get round the rectangular runway twice before sprinting off into the wings. A violinist appeared and began a solo performance of Gloria Gaynor’s I Am What I Am as she made her way down the catwalk. As the song morphed into Gaynor’s original version, the models reappeared in white slogan T-shirts and blue jeans, taking a final turn on the runway before the guest designers took their bow. The limited edition designs were made in partnership with the Elton John Aids Foundation. Honouring Franco Moschino’s work on HIV/Aids awareness during his lifetime, all proceeds from sales of the T-shirts will go to the charity. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live From tailoring to florals: 5 key fashion trends to know for autumn/winter Cue the damson decor trend to snug up your space Sex Education: What is it like to be a real-life Jean Milburn?

One euro homes in Italy are two a penny, so Jeffrey Pfefferle and Leon McNaught bought two. They snapped up their first cheap turnkey property in Mussomeli, Sicily. But the locals were so friendly that they decided to buy another.

Cindy Crawford has explained why she posed nude for Playboy magazine in 1988, even after her agents told her not to. The supermodel, 57, reflected on the early days of her career in the new Apple TV+ docuseries, The Super Models, which she appears in alongside fashion icons Naomi Campbell, Linda Evangelista and Christy Turlington. During the second episode of the show, Crawford noted that, after becoming the face of Revlon in the 80s, “things started really happening,” as she was “doing the right campaigns”. However, she claimed that when she was asked to appear on the cover of Playboy in 1988, some of her peers and agents advised her against it. “Everyone in my life at the time thought I shouldn’t do Playboy,” she said. “My modelling agency didn’t feel that that fit into the types of jobs I should be doing. I think the brand still had a connotation to it that maybe scared some people off.” Crawford said she knew why her agency was hesitant about on the gig, given how different it was from jobs she’d had before. “I understood the platform of Playboy and what that symbolised,” she explained. “It was definitely outside the normal trajectory for a Vogue model at the time.” She went on to specify that a famous fashion photographer, the late Herb Ritts, was the one who reached out to her about the project. After she recalled that she and Ritts were “really good friends” and that she “worked with” him a lot and previously “stayed at his house,” she shared another reason why she wanted to pose for Playboy. “I don’t know, there was just something about it that intrigued me. So against the advice of my agents, I said ‘yes,’” Crawford said, before describing the conditions she brought up to the maagazine when taking on the job. “But I said: ‘You don’t need to pay me a lot of money. As long as I can have control of the images, and I wanted the right to kill the story if I don’t like it,’” she recalled telling the publication. Crawford noted that when she did the photoshoot for Playboy, she and Ritts “combined it with another trip that [they] were doing for French Vogue to Hawaii”. And, according to the supermodel, the two photoshoots weren’t all that different from each other. “We’d shoot a picture for French Vogue and then we’d shoot a picture for Playboy,” she said. “I mean, you almost couldn’t tell which pictures were for French Vogue and which pictures were for Playboy, it was very organic and I loved them.” The actor concluded by noting that, despite what other people may think, it was ultimately her decision to pose for Playboy, and she did not feel pressured into it. “That’s the whole thing for me is, even if I make choices that other people disagree with or don’t like, if they’re my decisions and I have control of it, that’s empowering to me,” she said. “Even if it’s doing Playboy. I never felt like a victim of that decision.” This isn’t Crawford’s first time opening up about posing for the magazine. During an interview with Net-a-Porter’s PorterEdit in 2019, she acknowledged that she didn’t have any regrets about being photographed nude for the publication twice, as she also appeared in a 1998 Playboy spread. “I look back at some of my old Playboy pictures and I think: ‘Why wasn’t I walking around naked all the time?’” she said. “I’m not getting younger. So I want to celebrate who I am today.” She also opened up about posing nude in her fifties, and shared the candid reason why she did so in photographer Russell James’ book, Angels. “Part of the reason I wanted to do it was that I thought, at what age is being naked not beautiful anymore? Is there a sell-by date on us?” the model said. “I don’t look the same as I did at 20, 30 or even 40. If we take care of ourselves, why not? Am I frolicking on the beach in a string bikini? No.” Crawford continued to explain how, to her, posing nude showcases a type of beauty that isn’t typically shown in her other photoshoots. “But there is a place where I want to feel beautiful naked, in my private life, with my husband. [Russell] was tapping into that real place – not high heels, not a lot of makeup, not coy, just a real woman who doesn’t have clothes on,” she said. Read More Cindy Crawford candidly speaks about her marriage to Richard Gere 30 years later Voguewashing London Fashion Week won’t pay the wages of Britain’s young fashion designers Groping, abuse and racism: 10 of the most shocking revelations from The Super Models TV show

The next edition of the British Grand Prix is on 5-7 July 2024 – and fans are eager to buy tickets for the popular F1 race at Silverstone. Round 12 of the 2024 Formula 1 season sees a return to the iconic Silverstone track, home to many memorable moments in the sport’s 73-year history. Max Verstappen won the 2023 grand prix with British drivers Lando Norris and Lewis Hamilton – an eight-time winner at his home race – joining him on the podium. Here’s everything you need to know for this year’s sale: KEY DATES Thursday 14 September – Official camping and glamping released (11am) Monday 18 September – SRC (Silverstone Racing Club) Member priority ticket sale (10am) Wednesday 20 September – Official Campers Priority Ticket Sale (11am) Thursday 21 September – Enclosures, GA+, Abbey B and Hamilton A (11am) Friday 22 September – Grandstand tickets released (11am) Monday 25 September – General Admission tickets released (11am) General Admission tickets include single day, three-day (Fri-Sun) and a new four-day ticket which provides access to the launch party on Thursday evening. Prices come as cheap as £99 (Friday practice) for a single-day ticket, while a one-day ticket for qualifying are priced at £129 minimum. A ticket for the race will set you back at least £219. Four-day weekend tickets start from £359; three-day tickets from £259. You can buy a maximum of six tickets per purchase (child tickets are included in this number). You can add up to two age-related discounted tickets for each paying adult. Click HERE for more information on the official Silverstone ticket website. Hospitality options are also available with F1 Experiences. Read More Zhou Guanyu interview: ‘There is a lot of pressure in F1 – only winners stay in this sport’ Carlos Sainz interview: ‘All of us at Ferrari expected more – we haven’t done the best job’ Daniel Ricciardo is back - and this time he wants to go out on top ‘Buzzin corner’: Sebastian Vettel reunites with F1 grid in Japan George Russell insists 2023 has been his ‘best season ever’ despite Singapore crash Lewis Hamilton says ‘something’s up’ at Red Bull – if Max Verstappen struggles again